LBI
Code |
IKKI1_2 |
Inscription
name |
IKKIS 1_2 |
|
|
Site |
IKKI1 |
Country/Island |
Morocco |
Position
(geogr.) |
|
Position
(UTM) |
|
Elevation |
1900 |
Direction |
180 |
Inclination |
|
|
|
Technique |
pecked |
Line
width |
10-20 |
Line
depth |
1-2 |
Context
on panel |
anthropomorph, weapons |
Context
on site |
anthropomorphs, zoomorphs, weapons |
Superimpositions |
yes, see: comment |
Direction
of writing |
vert |
Lines |
3 |
|
|
Type
of rock |
slab |
Deposition |
sandstone |
Conformation
of rock |
natural cracks, splintering |
Natural
defacement |
|
Vandalism |
no |
Archaeological
context |
no |
Special
conditions |
|
Further
comments |
|
Date
of discovery |
|
References |
Springer 2000:Fig. 44
-> Reference details |
|
|
Epigraphic
comment |
|
Transliteration |
1:W.GLZ3*.MRB.TB*.MZ1RN 2: WZ3MWBRHWD*MRW 3: HTG* TW |
Transcription |
|
Translation |
|
Comment |
Rodrigue (unpublished): comment on line 2
It looks like they started the line from the bottom, tried to avoid the bow by sliding to the left, then pecking signs between the lines, at the end making two surimpositions (last three lines too close to each other to avoid them?).
Second sign from above: it is above the polished line on the right and interrupted by the line on the left. If you look very carefully you can see that the writer started to cover the line each side of it, then stopped, as if he didn't want to destroy the polished line. The third sign clearly cuts the line on the right. |
|
|
Nearby
inscriptions |
IKKI1_1 |
|
|
|
|
Pictures
and/or drawings |
Fig. 1:
Fig. 2:
Fig. 3:
Fig. 4:
Fig. 5:
Fig. 6:
|
|
|
Earlier
documentations |
Not available
|
|
|
|
Reference
details |
sp: Springer Bunk, R.A. (2001): Origen y uso de la escritura líbico-bereber en Canarias. Centro de la Cultura Popular Canaria, Tenerife/Gran Canaria
-> More LBI-References
|
|
Author
and copyright |
© by Werner Pichler and Alain Rodrigue 2007 |
|
|